press from 1-800-bankrupt

Filter magazine says: "Marykate O'Neil an artist to watch. 1-800-Bankrupt is a charming sophomore effort and a rare instance where everything simply clicks. This album is pure magic from start to finish"

venus magazine says, "Marykate O'Neil is an artist with a sweet voice, biting and witty lyrics, and folk pop arrangements. 1-800-Bankrupt is witty angsty goodness"

amplifier magazine calls 1-800, "A glorious sophomore effort. Highly recommended. O'Neil is the Carole King of The New Millennium!"

performing songwriter exclaims: "1-800-damn right! - the record sparkles with classic touches and Marykate's winning vocals are full of tenderness and humor throughout. To paraphrase XTC's Andy Partridge: "It's really super, Supergirl."

popmatters - With 1-800-Bankrupt, in terms of songs, Marykate is laughing all the way to the bank.

rock and roll report "Here is the second album of the delectable Marykate O'Neil. Not just your typical digipak this CD is a veritable artistic treasure containing 2 booklets with one containing 31 pages but the contents are in unison. The meticulous production of Roger Moutenot (Beulah, Yo La Tengo, Joseph Arthur) and the incredible Jill Sobule give a brilliant brightness to the songs of this wonderful New Yorker. A host of talented friends (Brad Jones, Jim Boggia, Matthew Caws) give 1-800 Bankrupt a festive flavor to the record. The songs run literally to a rhythm of subtle vocal harmonies and other delicate and luminous arrangements. A jewel in the crown, this is a magnificent album by one of the most talented female performers today". by Gérard Girard

radio takevoer "a gifted talent that's hard not to fall in love with"

new beats "The title alone is worth giving this album a listen. First, it is emblematic of O'Neil's sense of humor; second, it also points out the struggle of a talented artist to be heard in an era where an outlet like "American Idol" is the purveyor of musical taste. O'Neil's winning second full-length album is again a collection of brimming and sometimes whimsical pop. O'Neil has a strong and soulful voice that compliments this filler-free collection". 

jowebzine: "The Second album of Marykate O' Neil is a confirmation of a pure talent in both songwriting and pop composition. Released three years after her remarkable self-titled debut, the new record was recorded in Nashville with Roger Moutenot (Joseph Arthur, Lou Reed) and Jill Sobule. O'Neil is a cross between Suzanne Vega and Elivs Costello and 1-800 -bankrupt is a collection of pop songs that are at once modern and romantic all of which offers astonishing results that are immediately captivating. Even more captivating however, is the voice of Ms. O' Neil which one notices from the start and which moves you more with each listen. With its sparkling guitars, perfect melodies, and timeless production: 1800 bankrupt is the ideal soundtrack. 

FUFKIN: Marykate O'Neil -- 1-800-Bankrupt (71 recrdings): The only Marykate who really matters is back with more melodic singer-songwriter material. Again, she teams up with Jill Sobule, who is a kindred musical spirit. Sobule and co-producer Roger Moutenot provide a rich, textured background for O'Neil's tunes. This augments O'Neil's fine compositions. "Things Are Too Good" is a head bopping charmer, a simple melodic mantra with O'Neil in a good place...yet waiting for the inevitable downfall. With James Haggerty's sturdy bass and Mickey Grimm's lively drumming moving the song along, guitars and keyboards and backing vocals add layers and layers of tasty musical meringue to the proceedings. Great stuff. "A.D.D." is great in a different way, as O'Neil sings about the distraction of a new love. This acoustic ray of sunshine sounds like a collaboration between Susanna Hoffs of The Bangles and Lindsay Buckingham. I think of The Bangles again on "You'll Be Sorry", but even more so, the classic British pop sounds of bands like The Zombies on this swell ‘60s-ish sounding track. O'Neil's "Stay" is a great demonstration of how you can take a song that would probably sound fine as an coffeehouse strum, and polish it into something even more special -- add Brad Jones on mellotron and a bridge where O'Neil goes into her upper range and sounds angelic. As good as, if not better, than her last effort.

the boston globe says - "Bankrupt is a classic singer-songwriter collection. Marykate O'Neil has now done two glorious albums melding genre-defining influences such as brill building songwriting with alt-pop seasonings. Her songwriting explores the tribulations of life in the city with self-depreciating humor".

NOT LAME says: Grade: Solid, Black `n White "A".

"Marykate O`Neil does it for me, big time and fans of Mann really do need to check her out as do even the most casual of pop fans that frequent this site. Co-produced exquisitely by Jill Sobule and Roger Moutendt(Yo La Tengo; Beulah; Joseph Arthur; Sleater Kinney), 1-800-Bankrupt delivers on all levels with 12 songs that bring to mind many happy thoughts: a female George Harrison, a Carole King in the Brill Building tradition, an Astrid Gilberto meets an Elvis Costello breeding experiment and a Capote-esque storyteller. And, yes, an Aimee Mann working it out with recent Kate Bush. Why big labels have not come calling is a mystery to anyone who does not work in this biz, but all we care about is that O`Neil writes great songs and interprets them with her style in a way that makes it all a keeper and challenges the ear. The songwriting here is classic O`Neil for fans of her previous releases (her last one, the self-titled one is highly recommended!), juxtaposing pure pop musical sensibility with narrative tales of everyday urban life; failed relationships; prescription filled nights; and days spent dreaming in a cube.

Bsides the talents of Jill Sobule, there`s a list of Grade-A helpers to this great cause, Matthew Caws of Nada Surf, producer Brad Jones, Bill DeMain from Swan Dive, James Haggerty who plays with Josh Rouse and Joe Marc`s Brothers and Not Lame fave (well, all these folks are), Jim Boggia. Normally, a laundry-list of talent like this should be enough to `go for it` and, hopefully, it is. But listen on."O`Neil is a truly amazing songwriter. Her gift lies in the fact that her songs can be enjoyed at a superficial level as fun pop tunes with catchy hooks but can also be analyzed to show a much deeper meaning that is anything but "pop".- Northeast Performer. "1-800-Bankrupt expands on the sound that first brought Marykate all the great attention. The songwriting is both more intricate and grand in scale and the production and instrumentation is tightly wound. There are a number of tracks that will grab your attention from the first listen: "Stay," Susan Fingerle"," "Past All The Stars," "A.d.d" and "I Sleep With My Clothes On" are particularly striking and we can honestly say that this is a rare instance where everything simply "clicks." This album is pure magic from start to finish and we think it will leave a lasting impression in your mind. " -FilterMag.

 


 

ce disque ne ressemble à aucun autre

Paru dans : " 491 "  

Nouvelle formule pour ce 2ème album de Marykate nommé 1800 Bankrupt (MVS Records). En effet, c’est en 2002 que nous avions eu le plaisir de découvrir la pop douceâtre acoustique de son 1er opus solo. Aujourd’hui la jeune femme a mûri et décidé de s’entourer de certains de ses amis afin de donner une couleur un peu différente à ce nouvel album. Certes les thèmes abordées restent les mêmes puisque la demoiselle est toujours autant inspirée par ce qui l’entoure, mais musicalement les arrangements sont plus fouillés. Citons en vrac certains instigateurs venus à la rescousse de la New-Yorkaise, tout d’abord Jill Sobule qui co-écrit une partie de l’album. Puis Matthew Caws (Nada Surf), James Haggerty (Josh Rouse), Mickey Grimm (Butterfly Butcher), Brad Jones, Jim Boggia, et Rob Burger (Rufus Wainwright) ont apporté leur savoir-faire pour que ce disque ne ressemble à aucun autre. La production revient à Roger Moutenot (Yo La Tengo, Joseph Arthur, Sleater Kinney)

 

Un repos pour le corps et l'esprit.

Paru dans : " Le mois nantais "  

A l'instar de la presse nationale spécialisée, des Inrocks à Rolling Stones, peut-être aviez vous aussi craqué sur le 1er opus de cette jeune artiste issue de Hudson, petite cité de la banlieue de Boston dans le Massachusets. Alors vous serez ravis de voir que la Miss nous revient grandie d'une nouvelle vie new-yorkaise avec un 2ème album enregistré à Nashville par Roger Moutenot (Costello, Lou Reed et Joseph Arthur) ou elle a pris le soin de développer toute la grandeur de son talent, plaçant son oeuvre en digne héritage des Costello et autres Suzanne Vega. Un talent rare à composer de douces ballades poètiques et brillantes, des chansons pop, urbaines et souvent autobiographiques. Un repos pour le corps et l'esprit.
Laurent Charliot

 

Paru dans : " LES INROCKS " 
La rage toute en douceur chez l’Américaine Marykate O’Neil, dont la power-pop romantique batifole entre Barbara Manning et Suzanne Vega. Ne pourtant pas donner sans confession le bon Dieu du songwriting raisonnable à la Bostonienne : avec une traîtrise sadique, elle réserve à ses mélodies carillonnantes et à ses orchestrations opulentes des textes bilieux (le magnifique Stay), habituellement exprimés avec nettement moins de tendresse, nettement plus de tumulte.
---Jean-Daniel Beauvallet
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Un deuxième opus d'une classe et d'un naturel flagrant !

Paru dans : " ROCK ONE " 
--- Peintre et musicienne, Marykate O'Neil est une artiste complète. Sa voix angélique ne manquera pas de vous enchanter, sur fond de mélodies folk ("The Sky is Falling") ou de pop gracieuse qui sait retenir l'attention ("Susan Fingerie"). Derrière leurs apparences parfois légères, elles cachent sensibilité et passion d'une femme comme les autres, le talent en prime. Elle nous chante avec réalisme ses expériences et ses observations, de ses débuts dans la banlieue de Boston à sa nouvelle vie à new-yorkaise. On l'identifie comme étant le fruit d'une union entre Elvis Costello et Astrud Gilberto, ou un George Harrison au féminin. Un deuxième opus d'une classe et d'un naturel flagrant !--Sophie Kennel
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Une amie musicale

Paru dans : " MAGIC BOX " 
On avait déjà dit ici tout le bien que l’on pensait de Marykate O’Neil et de sa Bee-pop (mot créé pour elle) lumineuse et mélodique. Avec son deuxième album, l’Américaine donne ni plus ni moins que la version 2.0 de sa musique. + d’invités prestigieux (dont Matt Caws de Nada Surf et des musiciens attitrés de Josh Rouse et Rufus Wainwright), + de prise de risque (la fin « Indian Vibes » sur un titre calibré single, Stay), + de spontanéité (Things ara too goods et ses synthés catchy), + de feeling (Why don’t you visit mâtiné de soul), et + d’hymnes pop tout simplement (I’m ready for my luck). Marykate est en même temps égale à elle-même, travaillant toujours en étroite collaboration avec Jill Sobule et enregistrant en partie chez Roger Moutenot (Beulah, Yo La tengo…) à Nashville ; l’autre partie de l’album ayant été enregistrée dans le propre appart de Brooklyn de Marykate (avec bruit de pluie et cris de voisins qui se plaignent en non-invités surprise). L’Américaine est ainsi faîte avec cette proximité et simplicité de ton qui la rend touchante à bien des égards. Comme quand elle parle de moments de dépression où on n’a même plus la force d’enlever ses vêtements pour aller se coucher. On a tous connu ça ! Une amie musicale.
--- Denis Z.

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Paru dans : " La gazette Nord-Pas-De-Calais " 
Instantanément la Beat pop de Marykate O’Neil fait remonter des références américaines de pop magistrale : on pense à R.E.M, à Eels dès le morceau d’ouverture ‘I’m Ready fo My Luck to Turn Around’, à la Lisa Germano sur tout l’album – même talent pour les confessions intimes susurrées au creux de l’oreille, mêmes arpèges de guitares scintillantes et claviers en apesanteur. Qui est Marykate O’Neil ? Une jeune femme, venant de la banlieue de Boston, vivant aujourd’hui à NY, qui a enregistré ce deuxième album avec le producteur d’Elvis Costello, de Lou Reed et Joseph Arthur ! L’atout de marykate est aussi son talon d’Achille. Même quand elle parle de distance, de départ, de rupture, on a parfois l’impression d’être dans l’optimisme collégial et candide du générique de Friends (‘Since You’ve Been Away’). Or, si l’on aime Kristin Hersh et Lisa Germano, c’est qu’elles ont clairement préféré la compagnie des ombres à la carrière tracée de pop-stars célébrant leur musique, qu’elles ont tout fait pour que leurs déboires n’empoisonnent pas leur vie. A part dans les décharges de ‘You’ll Be Sorry’ et ‘Things Are Too Good’, Marykate O’Neil garde un peu trop sa réserve.
Yohav Oremiatzki

 

 

 

 

 

press from "Marykate O'Neil"

 

"Marykate O'Neil's debut release has the flavor of an albumm recorded amidst cups of coffee and giddy laughter. It has both a freshness and simplicity which are enchanting. Influenced by the fuzzy side of 60s pop, it is "beat-pop" --- and the entire album has the good sense of not having any down time.  Marykate's skillful melodies and delicate voice are veritable pearls of sweetness. Deeply authentic and original, Marykate has crafted a style with humor and irony intact anchored in daily life". 4 stars - Rolling Stone
 

"If Elvis Costello and Astrud Gilberto swapped spit in another time dimension, singer/guitarist Marykate O'Neil would be the musical spawn of their eros. A doll-faced talent with enough 60's chutzpah and '90's cynicism to spark her own songwriting genre -- call it 'beat-pop'.  O'Neil's self titled debut is a spotlessly constructed concoction of acoustic ballads, retro organ stompers and smartly choreographed electric guitar bop". Picked as an Essential Listen --- CMJ

 

"A debut release as a singer/songwriter can be a harrowing initiation to be sure. One favor in Marykate O'Neil's court is production by Michael Deming and Jill Sobule. Despite the big names involved, O'Neil is hands down the star of her own debut.  It's ironic that this 14 song album's recording was split between Nashville, TN and the newly minted hipster mecca of Brooklyn's Williamsburg neighborhood -- O'Neil's music is the perfect blend of metropolitan indie high society and Music City's tradtion of sanguine, heart-crafted songwriting." -- rockpile

 

"Marykate O'Neil's self-titled debut is for brooders who are willing to let a little crack of light into their sulking quarters.  On the surface, her songs are pure pop - soothing and sanguine - but the lyrics add depth and darkness, often creating a juxtaposition to the sonic undertones.  Marykate O'Neil is like a cold glass of lemonade for those of us who prefer to spend the summer in the sticky, smelly city than at the seashore." amplifier

 

 

 

 

"Thank God for Marykate O'Neil. Sounding a little like a female George Harrison and a lot like herself, O'Neil packs a peppy punch in each of these economy-sized tracks -- There's not a dud on the album. There's no denying she's one hell of a songwriter, both musically and lyrically." -- splendid

 

Marykate O'Neil's self-titled album is a breezy sun-kissed jewel -- Time Out

 

 

 

 

shake it up says - "Simply one of the finer pure pop releases this year. Marykate O'Neil has released what should turn out to be one of this summer's soundtracks with her vibrant self-titled debut --- O'Neil combines her impressive pop sensibilities with thoughtful evocative lyrics. It all makes for easy listening - not of the "mellow" variety, but of the kind that's easy to go back to over and over. Her honest delivery makes her vocals always stand out, while her songs offer a healthy diversity while never straying from strengths. Marykate O'Neil is bound to turn more than a few heads with this one. Deservedly so."

"Marykate O'Neil can write a damn good pop song.  This is some of the best -- written and recorded -- pure pop I have heard in a long time. In fact this could be my pick of the year. There isn't a bad song among these fourteen. Very few discs I review find their way into my CD player more than a few times, but this one is a keeper.-- the noise

 

 

 

 

 

 

Marykate O'Neil is poised to steal the show. -- LA Times   

 

  

 

 

"This is one of the very finest pop records fronted by a female lead in the last few years." not lame

 

5 out of 5 stars "I Like This! This is really good. You should buy it."

Seymour from Dee Troit, MI - amazon.com

 

newbeats newbeats -- "pure pop music doesn't get any better than this".

A superb debut album of 14 songs. One of those CDs I play for weeks; after something like 200 spins, I convinced myself to take it out of the player long enough to review some of the dozen CDs I have on hand. Go buy a copy. I'm keeping this one. - Jersey Beat

 

 

 

 

 

 

 "Sometimes it’s more difficult to write a raving review because all I want to do is list off a multitude of adjectives exclaiming my admiration for the CD! Yes, well, I tend to be adjective-heavy anyway so it’s something I need to tame as it is….. It is pure joy to receive CDs like Marykate O’Neil’s self-titled recording. A real testament to the strength and excellence of this album is that I enjoyed all 14 songs and honestly not all full-length CDs keep my attention like this. Marykate’s sheer, crystalline vocals define the mood of each tune – whether they’re airy, light, and sweet for the happier pop tunes to more ember-like and intimate for acoustic-y, thoughtful songs; or they’re alt-like for the sort of punkier pop rock. Marykate embraces the listener with her songs so captivating and catchy they are. I could go on and on but this will be too long and no one will read it and that would defeat the whole purpose of a glowing review now wouldn’t it?" - Debbie Catalano - sound check

   はこのMarykate O'Neil、ポップやわ~。Aimee Mannの「I'm with Stupid」を彷佛させます。声もちょっと似てるし。やり手のバックが見え隠れするなと思ったら、果たしてプロデュース・ミックスはJill SobuleBrad Jonesでした。 joyrides

 

 

Marykate O'Neil can make ordinary things sound whimsical and imaginative with a strong sense of buoyant, lo-fi indie pop smarts. The music recalls the pop sheen of the Brill Building singer/songwriters.  Try to find this record and you won't go wrong. --

 

Out of nowhere comes Marykate O'Neil, a smart and cynical yet lovable and vulnerable New York City -based singer-songwriter-guitarist who knows her history, psychology and a whole bunch of other subjects that I got a C in.  Her debut CD is a trapeze of skills and thrills.....Sacramento News

 

 

Out of the 500 CD's that I receive in 2002 to review, Marykate O'Neil is by far that finest solo songwriter this year.  Her chiming guitars hook to the backbeat, her lyrics are smart and her voice is pretty.  What more do you need?  Produced by her buddy and sometime band member, Jill Sobule, O'Neil's live band also consists of members of the Lily's and Nada Surf.

 

"I love the internet! I mean there is nothing like it to find new music. No smoky bars, no weak drinks or outrageous cover charges, just point and click.  You can travel anywhere and hear things you would never be able to hear all in your 'jammies'.  That was how, in wee small Montrose, I was able to discover a Big City treasure called Marykate O’Neil. Marykate is the kind of singer/songwriter that makes a music reviewer drool--bright, witty and oh so talented. I imagine her in a smoky New York café serving beat poetry to a crowd dressed in black. This is no karaoke queen. It is rare to find a song that can take you to a specific place and extraordinary when you can smell the bus fumes and taste the stomach acid when you get there. Marykate not only does this but she makes you want to go again and again. Her lyrics are insightful yet sanguine, expressing a hopeful cynicism that along with her lilting melodies raises her songs well above the usual radio-friendly pop.  Even the cover of The Spice Girls song Stop finger pops its way to a new attitude. In fact, the entire cd channels enough Mary Richards spirit to make you want to throw your beret in the air. This is a whole new kind of Girl Power.  Especially when you remember that Mary went from glorified secretary to newsroom queen all by turning lemons into lemonade. And I for one am glad to skip down the street with my ‘Pro-choice’ sign singing along with Marykate". - Thomi Sharpe

The Harbringer, Mobile Alabama

 

 

 

 

 

 

 

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